Maud is a curator and art historian working in New York and London. Her first experience with curatorial practice was at the Centre Pompidou in Paris, where she worked under Laurent Le Bon on his 2005 exhibition Dada. Later, her 3-year contribution to an archival research project of 1970s Polish art, alongside Georg Schöllhammer and Łukasz Ronduda, led to the publication of the catalogue raisonné of the duo KwieKulik and an exhibition in Wroclaw, for which she served as assistant curator. She has also curated a three-venue series of exhibitions by the Franco-British artist Alice Anderson (Musée Chagall, Musée Picasso, FRAC PACA) and organized several video art screenings. From 2008 to 2011 Maud served on the editorial board of Object, a British peer-reviewed academic journal. She has taught university courses on art and politics and in 2011 co-organized The Granddaughters’ Generation, a symposium on feminism and art history in tribute to keynote speaker Linda Nochlin.
She holds bachelor’s degrees from the Ecole du Louvre and the Sorbonne, a master’s degree from the Courtauld Institute of Art and an M.B.A. from ESSEC International Business School. She is currently completing a Ph.D. at University College London on the reclamation of narrative in film and video, particularly among women artists.
