Nathalie Anglès began her career at Sotheby’s, London where she was responsible for the Impressionnist, Modern and Contemporary mid season sales. In 1993, Nathalie was selected to participate in the yearlong curatorial program “Ecole du Magasin” in Grenoble (France). Before moving to New York in 2000, Nathalie held several curatorial and research positions in France. She served as Director of the Residency program of the American Center in Paris (1994-1996). In 1997, she worked at Ecole des Beaux Arts (ENSBA) where she drafted a proposal to re-enact the Biennale of Paris, and assisted Alfred Pacquement on the exhibition ‘Peintures Francaises” at the Villa Medicis in Rome. From 1998-2000, Nathalie implemented a wide range of contemporary art projects at the Union Centrale des Arts Decoratifs (UCAD). In 2008, the French government bestowed Nathalie with the title of Chevalier of the Order of Arts and Letters. Since 2010 , Nathalie is the New York Chapter Chair for ArtTable and a Board member.
Boshko Boskovic is the Program Director of Residency Unlimited, a New York based non-profit arts service organization whose mission is to support artists and curators in residency. Additionally he works at the Felix Gonzalez-Torres Foundation and has curated exhibitions such as Not So Distant Memory, CAA, New York, Power of the Brand, Contemporary Art Museum in Banja Luka, Bosnia & Hercegovina, Bite A Bunny for a Day, Exhibition 211, New York, New Paintings – Aleksandra Popovic, MC Gallery, New York, Video Integration, Belef, Belgrade, Performing Body, Marina Abramovic, Speed Art Museum, Louisville. During his tenure as Associate Director at the Sean Kelly Gallery in New York he also worked closely with artists such as Los Carpinteros, Ilya & Emilia Kabakov and Johan Grimonprez. Boskovic has also published essays for solos exhibitions such as Where Have All the Children Gone, Galerie Steinek, Vienna, Dark Star, Galerie Perpetuel, Frankfurt, Cinematic Sculptures, KCB, Belgrade, Beyond the Magic Mountain, MC Gallery, New York.
Christian Duvernois is a landscape designer practicing in both Europe and the U.S. and a noted lecturer on European classical gardens. His latest publication, “The last garden at Versailles: Marie-Antoinette at Trianon” was released by Rizzoli in the Fall 2008. A member of les Amis de Versailles and of the French Heritage Society, his work has been profiled in numerous publications including the New York Times, Art Forum, House and Garden and the International Herald Tribune.
In the 1980’s, he opened the gallery Facade in New York specializing in classical and contemporary architecture and landscaping, through paintings, sculpture, photographs and architectural drawings. Interventions by Christian Duvernois include the Hillwood Museum & Gardens in Washington D.C., the Bruce Museum in Greenwich, the High Museum of Atlanta and the Metropolitan Museum of New York, as well as many institutions such as The Friends of Vieilles Maisons Francaises, The French Heritage Society, The American Friends of Versailles and many Horticultural Societies around the country
Rachel Gugelberger is senior curator at Exit Art. As an independent curator, consultant and writer based in New York, her most recent project is the exhibition “Library Science”, a group exhibition curated at Artspace in New Haven (CT). Other recent projects include What is left at Curatorial Research Lab/Winkleman Gallery and exhibitions at Sara Meltzer Gallery that investigated the notion of landscape as a social construction (Landscapes for Frankenstein); examined the art world with irony and humor (Ceci n’est pas…) and explored the notion of “climate” as both a weather condition and a characterization of our moment in time (Prevailing Climate). She has curated exhibitions at School of Visual Arts, Cuchifritos Art Gallery/Project Space, Marvelli Lab, PS122 Gallery, Artists Space, Center for Curatorial Studies and the inaugural Brewster Project. Exhibitions in progress include Data Deluge, a presentation of works that utilize data as source material and Library Science, an exhibition that ponders our changing role to the library as it adapts to the digital world. Rachel holds an M.A. in Curatorial Studies in Contemporary Art and Culture from the Center for Curatorial Studies at Bard College.
Nicole von Klencke is an international entrepreneur and real estate consultant based in New York and Germany.
Victoire Newman is the Head of the Investment Department with Groupe Artemis, Francois Pinault investment holding company.
Sebastien Sanz de Santamaria worked at Location One, as Assistant Director of the international residency program from 2004 to 2009, prior to founding Residency Unlimited with Nathalie Angles. Since 2001, Sebastien has been closely involved in the development of the artist-run organization Flux Factory, when he moved to New York. Sebastien has been closely associated to the organization’s exhibition programming. He collaborated in group projects organized by Flux Factory with institutions such as the Queens Museum of Arts and the New Museum. After completing a preparatory year at the Academie Julien (ESAG) in 1997, Sebastien received a BFA from the Ecole de Beaux-Arts de Montpellier District in Montpellier, France (EBAMDA).
Jean Shin is nationally recognized for her monumental installations that transform castoff materials into elegant expressions of identity and community. Working in a variety of mediums, she collects vast accumulations of singular objects—prescription pill bottles, sports trophies, sweaters—which she alters into conceptually rich sculptures, videos and site-specific installations. Distinguished by her meticulous, labor intensive process of amassing her materials from various communities, her arresting installations reflect the individuals’ personal lives as well as collective issues that we face as a society.
Her work has been widely exhibited in major national and international museums, including solo exhibitions at the Smithsonian American Art Museum in Washington DC (2009), the Fabric Workshop and Museum in Philadelphia (2006), and Projects at The Museum of Modern Art in New York (2004).
Other venues have been the New Museum of Contemporary Art, the Museum of Art and Design, the Museum of Fine Arts, Houston, the Museum of Fine Arts, Boston, Asia Society and Museum, The Brooklyn Museum, Sculpture Center, Socrates Sculpture Park, and Frederieke Taylor Gallery in New York City. Site-specific permanent installations have been commissioned by the US General Services Administration Art in Architecture Award, New York City’s Percent for the Arts and MTA Art for Transit. She has received numerous awards, including the New York Foundation for the Arts Fellowship in Architecture/Environmental Structures (2008) and Sculpture (2003), Pollock-Krasner Foundation Grant, and Louis Comfort Tiffany Foundation Biennial Art Award. Her works have been featured in several publications, including Frieze Art, Flash Art, Tema Celeste, Art in America, Sculpture Magazine, Artnews, and The New York Times.
Born in Seoul, South Korea, Shin attended the Skowhegan School of Painting and Sculpture in 1999 and received a BFA and MS from Pratt Institute in Brooklyn. She lives and works in New York City.
